From the highest mountains to the deepest rivers, Planet Earth combines unimaginable scale, impossible locations and intimate moments with our planet's wildest, most elusive creatures.
Four years in production, over 2,000 days in the field, using 40 cameramen filming across 200 locations, this is a portrait of the planet never seen before. It is a journey through the challenging seasons and the daily struggle for survival in Earth's most extreme habitats.
This is the first natural history series to be filmed entirely in high definition, providing an unparalleled view of awe-inspiring landscapes from all across the globe and incredible footage of the rarely spotted, almost mythical creatures that live in these habitats. This definitive look at the diversity of our planet is narrated by David Attenborough.
The Greatest Show Of Earth
Alastair Fothergill doesn’t want to change the world. He just wants to change the way we look at it.
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This episode looks at our planet as a whole and considers the key factors that have shaped its natural history. The team use aerial technology to follow a million caribou as they trek across the Arctic wastes, record the annual transformation created by floods using time-lapse photography, and capture the most intimate and complete picture of polar bear life ever filmed.
Exploring the extreme landscape of rock, ice and snow, a vertical world as alien to humans as the surface of another planet is revealed and helps to explain the geological and volcanic forces that shaped the land and its mountain chains.
Humans like to think that once they’ve climbed a peak, they have somehow conquered it. But they can only ever be visitors to this hostile world. Planet Earth introduces the ‘real’ mountaineers and discovers the secrets of their survival on the mightiest peaks of our planet.
From a puma family in the Andes to the grizzlies in the Rockies, from the Snow Leopard in the Alps to the Giant Pandas of China, these shy and most secretive animals are filmed rising to the challenge of mountain life.
Just three per cent of the Planet’s water is fresh water and it is our most precious resource. Where it flows or falls, it controls the distribution of all terrestrial life.
This episode follows the descent of rivers from their mountain sources to the sea and showcases the unique and dramatic wildlife found within its unexplored waters.
Caves are one of the only habitats not directly driven by sunlight, but this doesn’t mean there is no wildlife. Cave angel fish are perhaps the most adapted creatures on earth since they live only on cave waterfalls - hanging on with microscopic hooks on their flattened fins.
Deer Cave in Borneo is a daytime retreat for five million bats and their droppings support an entire community of creatures. Shine a light on one massive pile of droppings and the whole place shimmers with millions of dung-eating insects.
This episode probes the mysterious, perpetual darkness and reveals the unknown underground world of caves, caverns and tunnels.
When astronauts peer down on Planet Earth, the one environment they all notice are the deserts, which make up a staggering 30% of the land’s surface. From space they look empty and lifeless. A closer look reveals a very different picture. Mongolia's Gobi Desert is home to wild Bactrian camels, one of the rarest mammals on the planet, which survive by eating snow instead of water. In Atacama, Chile, in the driest desert in the world guanacos survive by licking the dew off cactus spines.The final sequence illustrates one of nature's most fearsome spectacles: a billion-strong plague of desert locusts, destroying all vegetation in its path.
A journey to the polar extremes of our planet, where for most of the year the Arctic and Antarctic are locked in ice. As the sun abandons one pole and journeys to the other, these frozen worlds undergo the most extreme seasonal transformation on the planet – from the total darkness and numbing temperatures of the polar winter to the midnight sun of the summer, when the sun never sets.
The vast open wildernesses of African savannah, Asian steppe, Arctic tundra and North American prairie are the great plains of the planet. Together they cover more than a quarter of the land on Earth and one living thing is at their heart - grass. This humble plant feeds the greatest gatherings of wildlife found anywhere on Earth.
Over Africa's savannah, a swarm of 1.5 billion Red-billed Queleas are caught on camera, the largest flock of birds ever depicted.
Jungles cover roughly three per cent of our planet, yet contain a staggering 50 per cent of the world’s species. Located around the warm, sunny equatorial zone, complete with constant daylight, they are the most productive habitats on earth. Beautiful floating aerial shots introduce the world’s most spectacular forest vistas and high-definition cameras enable unprecedented views of the species that live on the dark jungle floor.
The newly discovered coral reefs in tropical Indonesia reveal that they are one of the richest in the world. They are home to fantasy-like creatures - such as the head-butting pygmy seahorse, the flashing ‘electric’ clam and bands of 30-strong sea snakes which have never been filmed before as they the hunt in packs, using cunning strategy.
As humpback whales traverse the crystal-clear waters of the shallow seas, returning to breeding grounds in the tropics, a mother and its calf are followed. While the latter takes in up to 500 litres of milk a day, its parent will starve until it travels back to the poles to feed — and it must do this while it still has sufficient energy left for the journey.
From the evergreen forests of the frozen North to the deciduous dry forests of the Equator, Seasonal Forests reveals the greatest woodlands on earth. Some of the strangest trees of all can be found in the baobab forests of Madagascar - these bizarre upside-down trees store water in their swollen trunks and harbour equally curious wildlife, such as the tiny mouse lemur.
Oceans cover two thirds of the planet, yet largely remain unexplored. For animals that dwell on the surface or within the deepest abyss, it is finding food and conserving energy that is paramount. Planet Earth travels the world to reveal the extraordinary lengths life takes in its bid to survive this immense and barren realm.
Off the Mexican coast, a large group of sailfish encircle another shoal of bait fish. The hunters change colour as a message of their intentions, since an attack could also be fatal to others of their number. The last sequence depicts the largest animal on Earth: the blue whale, of which 300,000 once roamed the world's oceans. Now fewer than 3% remain.
Notoriously, sequels are rarely as good as their progenitor, but Planet Earth as the follow-up programme to the hugely-successful Blue Planet certainly bucks the trend. Many episodes of Planet Earth achieved even higher ratings than the original 2001 series. And viewers loved it – the BBC’s Annual Report of 2007 revealed the series had attracted the highest audience appreciation score of any British programme on TV that year.
The aim of the series was to capture as many animals that had never been filmed before, realising that this might be the last chance in some cases as they are facing extinction. Planet Earth features unique aerial footage of polar bears swimming underwater, a new species of blind cave fish captured on film in Thailand, the elusive Tibetan fox on the hunt for pika as well as many other TV firsts. Perhaps the most outstanding success was recording intimate footage of snow leopards, the Greta Garbo creatures of natural history. The show’s producer revealed the cameraman Mark Smith’s reaction when he managed to capture an extended sequence of a snow leopard hunting a mountain goat: “He was almost in tears when he got it”.
It’s not just animals that had never been filmed that the programme-makers were seeking out. They wanted to include places that people have rarely ever seen. The fifth episode visits the Gobi Desert in winter and reveals an unexpected sight – it’s covered in snow. Producer Alistair Fothergill commented, “Not only is that exquisitely beautiful to see miles of sand dunes covered in snow but it will be very surprising to the audience.” The snow will also be a pleasing sight for the area’s Bactrian camels – they need to eat the snow to maintain the fluid levels and survive.
When Icelandic post-rock band Sigur Rós write songs, they give them a nickname. When they tagged Hoppípolla(from the album Takk...) as “the money song”, they weren’t wrong. Hoppípolla was used by the BBC in their trailer for Planet Earth. It proved so popular with viewers that the record company were forced to re-release the song as a single – it gave the band their highest chart position. The indie classic tune maintained its connection with Sir David Attenborough when it was used in the montage of his work when he received a lifetime achievement award at the National Television Awards. Definitely on the money as far as Sigur Rós are concerned.
Extreme arm twisting over a year and a half was required to persuade the Norwegian authorities to give permission to film polar bears in Kong Karls Land. Forty polar bear dens were discovered there 25 years ago and no humans have been allowed near to protect them. “When the Norwegian government finally agreed to let us go,” the series producer explained “they said, right, you have one crack at it, and nobody is ever going back”. No pressure then, but the team managed to capture that amazing shot of a mother polar bear coming out of her den.
When filming in Nepal to record the migration of demoiselle cranes, the crew had climbed up the sides of the world’s deepest valley to gain a good vantage point. However, the team had forgotten to pack any food with them on one day – an error that had not gone unnoticed at the hostel they were staying. Even though they had ascended to about 14,500 feet, researcher Jeff Wilson was taken aback by the sight that greeted them: “a local guy turned up with two steaming hot pizzas wrapped in tin foil for our lunch”. How’s that for a pizza delivery service!
When filming the Eastern side of Mount Everest in an ex-British spy plane, the winter chill created its own challenges. They were cruising at an altitude of 28,000 feet ready to capture the first rays of the sun hitting the peak, when the cameraman noticed the image on the monitor was cloudy – the front lens had frosted over! With moments to go before they would lose the shot, he had to act quickly. Climbing forward right next to an open door, breathing through an oxygen mask, at temperatures of minus 20 degrees C, he managed to unscrew and clean the front of the camera just in the nick of time.
Filming the world’s most dangerous freshwater fish, you would have thought the team would be taking many protective measures against piranhas. The team were warned by local experts not to venture too far into the gloom under the dense mats of aquatic vegetation and not to stay still for too long - the piranha may mistake you for dead and take a bite. After three weeks of preparation, cameraman Peter Scoones never once felt threatened by the piranha frenzy around him and even felt comfortable to film without wearing gloves – his fingers thankfully!
The Lechuguila Caves in the United States required the crew to stay underground for 10 days as trips back to the surface were not practicable. But their stay unearthed the caves’ remarkable beauty. The floor looked as if it had been carved from huge chunks of ice in Glacier Bay Cavern. Perhaps the most spectacular view was afforded by Chandelier Ballroom where hand-sized crystals hung in chains that were six-metres long. Producer Huw Cordey found the experience otherworldly: “I felt as if I'd been miniaturised and stuck in a large empty freezer compartment”.
Trying to achieve a TV first – of filming the famed Birds of Paradise actually displaying – was a particularly difficult challenge. The trouble is that these birds are rather fussy when they display. Their temperamental behaviour would give divas like Mariah Carey are run for their money. Their checklist includes a female in the vicinity to display to; enough food around in the nearby area; it can’t be too hot or too wet (in the steamy, damp forests of New Guinea); they cannot be disturbed during the display and they have to be in the mood! No wonder it took cameraman Paul Stewart over two months and a massive 600 hours sitting in the less than Paradisiacal conditions of a one metre square bush hide before he got the magical shots he wanted.
Planet Earth Live is the biggest live wildlife broadcast ever undertaken.
As a child, Richard Hammond started his own wildlife club and armed with a nature kit set out to study the wildlife in his Solihull garden.
In Africa, Richard will be joining Kenyan elephant researcher David Daballen who knows more than 700 of the Samburu elephants by name.
Our closest relatives, the chimps and gorillas, laugh when tickled.
Dolphins can point with their bodies and have been known to communicate an object's location to human divers.
Flamingos are only red because of the food they eat.